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Willard Wigan: Hold your breath for micro-sculpture

To encourage young designers from schools and colleges, our Creative Partner Greg Quinton was recently asked by D&AD to provide some pearls of wisdom in a personal take on having a career in design:

You may have seen all the fuss about “The best job in the World”. Caretaking a tropical Island? Wonderful. Everyone thought so, but I beg to differ. Nice for a long holiday from a British Winter, but long term? I believe the best jobs mean loving what you do and I love the creative industry.

Rewind twenty years or so ago to when I graduated, Macs were grey plastic bricks called Mackintosh. Phones were mobile (if you were strong enough) but everything in the shops had a prefix of ’designer’. It was a boom time for jobs and the coolest job around was in Graphic Design. I knew I was lucky with my timing even then.

At school I kind of knew what I wanted to do: design record covers, store bags, vans – you know – cool commercial things. I knew I wasn’t an artist. The problem was that nobody knew if it was an occupation. My careers advice lady stroked her beardy chin (yep nasty) and announced “You can be: an Archeologist, a librarian or – if you can pass maths – an architect” I was not best pleased, but design simply hadn’t made it onto the list of ‘real jobs’ yet.

So, searching, I blagged a place onto our local foundation course, worked bloody hard for a year and got shouted at every day for not drawing well enough. Finally the course leader said, “I’m sorry Greg, but you still can’t draw well enough to be an illustrator (long pause) I’m afraid the only option left for you… is graphic design.” She considered this a failure. I was in seventh heaven.

College was a joy. I loved every second of it. I knew this is what I wanted to do. From being bored and pretty average at school I was finally in my element. I wanted to do this forever, but knew had to find the right place. I drew up a short list without thinking I was good enough to work at any of them. Passion forces luck (and I was very passionate) and I got out there and did a D&AD workshop, interviews by the dozen, work experiences, made tea and did whatever I could to be noticed and get recommendations. Finally I landed an interview with Nick Wurr at The Partners who were at the top of my list. He (got sick of the pleading) and gave me a job.

Fast-forward twenty years and two recessions. I’ve forgotten many things but I’ve also learnt:

Creativity can solve so many issues. By using communication and design we can change perceptions, improve our environment and add real value to businesses.

We should always remember that clients don’t owe us anything. They take risks when they buy creativity. They could always play safe. Therefore, you should always avoid arrogance and work hard to create the best possible solution for every single project, whatever the client or their situation.

Most creative people (as a breed) are ‘givers’ and are generous with their personal commitment, skill, energy and passion. For many it is a vocation. This is a strength and should never be taken for granted or abused.

In these tough times it’s important to remember that the creative industry always needs new talent. This current ‘crappiness’ will come to an end at some point. We know that clients who invest in creativity during these low points will come through stronger than those who don’t. It is the same with agencies.

Try and have the long-term view. Agencies might not be able to give you a position in the short term, but please don’t give up, If you are truly passionate about your potential please keep going. Do placements, freelance, talk to everyone, do workshops, win competitions, set up your own thing, keep your chin up and do anything to avoid compromise for as long as you can. If you are good, there is a place waiting for you.

It might just be the best job in the World.

Greg Quinton
2009

Olson Sundberg Kundig Allen (OSKA) architects is responsible for the design of the new ‘whatcom museum’. Located in Bellingham, Washington State, the concept behind museum’s modern design is to bring as much activity as there is on the inside of the building, to the outside. The project is still in progress, but the focus of the new art and history institution will be a 36-foot-tall, 180-foot-long translucent wall, known as ‘the lightcatcher’, which will act as a backdrop to the building’s central courtyard. The installation of this wall is meant to encourage the public to participate and engage in activities surrounding the museum. [designboom]